Could anything better describe New Yorks post-lockdown mood? And then theres the epic style: Come for Alains open-to-the-navel denim shirt, stay for Romys Courrèges-designed bathing suits. After one of the chicer funeral scenes committed to film, Marianne covers for Jean-Paul to the police, despite the fact Jean-Paul had just declared his desire to leave her for Penelope. (If you are a person with strong opinions about spoiler alerts for 50-year-old French films, skip the rest of this paragraph.) Tensions mount and in the final half-hour Jean-Paul coldly murders Harry by slow, brutal, drowning. Of course, life at the pool is not as it seems. Much decadence and extremely French crossover love ensues. The lovers are unexpectedly joined by Harry (Maurice Ronet), Mariannes former paramour and Jean-Pauls former best friend, and his 18-year-old daughter, Penelope (Jane Birkin). Sadly, he only gets one month of vacation. La Piscine (which means The Swimming Pool) revolves around Jean-Paul (played by Alain Delon) and Marianne (Romy Schneider), who have retreated to a house with a large pool outside St. If there is a film of New Yorks 2021 summer, this may be it. Rear Window, ∸ 1/2, La Strada and a popular Humphrey Bogart series that included ∼asablanca have all come and gone, but La Piscine swims on. For the past 14 weeks at Film Forum, a long-standing independent and repertory theater on West Houston Street in Manhattan, the 1969 French film La Piscine has been playing a run that has extended its initial engagement by 12 weeks, and counting.
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