![]() He remained unidentified for weeks, his photograph the only link to his life before. And Amos Humiston could have been a soldier from either side when he died on a Gettysburg battlefield with a picture of his children clutched to his breast. Varina Howell Davis mourned the death of her five-year-old son, Joseph, while thousands of mothers wept for their slain boys in distant lands. ![]() As President Lincoln’s “shoulders sagged” in the days following his son’s death, so too did the spirits of Texan Felicia Loughridge, who begged her husband to obtain a furlough, in a letter ending with hand-drawn kisses (51). The result almost leaves bitter sectional division subsumed to the shared human condition. Using the timeline of the Civil War as an anchor, Ural knits the convictions, doubts, fears, responsibilities, and familial ties of Union and Confederate citizens to the bigger story of war. It is not an easy thing to do, and in less capable hands it would have resulted in a scrabble of discordant voices fighting to hold onto a common narrative. To recount military campaigns and political milestones, Ural expertly taps into the personal lives of generals and politicians, throwing these vignettes alongside the stories of dying northern soldiers, steely editors penning war commentary and compiling lists of dead and wounded, and rioting southern women on the streets of Richmond. She introduces ordinary people, such as thirty-six-year-old Kentuckian Theodore Talbot, who found himself defending Fort Sumter before he had a chance to decide if he would cast his lot with the Union or the Confederacy Helen Johnstone, a young Mississippian woman who had equipped a Confederate company to fight in 1861, only to face the prospect of defending herself against marauding Federal troops two years later and Julia Grant, who mourned the escape of her slave to the army her husband commanded. Ural’s book opens rather awkwardly, with Homer’s Hector and Andromache, the Trojan War, and a nod to the common experiences shared by participants in all major conflicts a modest prelude to a remarkable narrative that uses the stories of American families to paint a collective portrait of patriotism, faith, and grim-faced endurance. ![]() It is Ural’s beautifully assembled collection of documentary stories-taken from newspapers and the personal papers of generals, politicians, slaves, southern ladies, northern privates, and many people in between-that carries this Civil War narrative to unexpected heights. The bones of the story are inevitably fixed, and her arguments about the cause, war, politics, and military effort are fairly standard. Ural’s book, Don’t Hurry Me Down to Hades: The Civil War in the Words of Those Who Lived It, does exactly that. Still, one wonders how a scholar could gather up enough courage to take on a war narrative, let alone find something original to say. The Civil War sesquicentennial has further inspired historians to reimagine and reinterpret the most written-about period in American history. ![]()
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